首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   55篇
  免费   2篇
  国内免费   2篇
化学   24篇
综合类   1篇
数学   2篇
物理学   32篇
  2022年   1篇
  2021年   2篇
  2018年   1篇
  2017年   3篇
  2016年   3篇
  2015年   2篇
  2013年   6篇
  2012年   12篇
  2011年   5篇
  2010年   4篇
  2009年   2篇
  2008年   2篇
  2007年   3篇
  2006年   1篇
  2005年   1篇
  2004年   3篇
  2002年   1篇
  2000年   1篇
  1999年   1篇
  1998年   1篇
  1997年   2篇
  1994年   2篇
排序方式: 共有59条查询结果,搜索用时 31 毫秒
1.
通过比较测量方法测量得到绿漆涂层木板探测目标在400~720 nm的光谱偏振二向反射分布函数值,从获得的户外试验测量数据入手,分析与探测角、波长之间的关系,通过有限探测条件得到的光谱偏振二向反射分布函数值(BRDF)建立光谱偏振BRDF模型,来描述探测目标的偏振二向反射特性。其中利用基于小面元的模型建立光谱偏振BRDF模型,利用遗传算法和Levenberg-Marquardt(LM)算法相结合的优化算法来获得非线性模型参数。仿真实验结果表明采用的遗传LM优化算法具有较好的性能,能较快较准确得到非线性的模型参数。真实实验数据证明了基于小面元模型的正确性,表明光谱偏振二向反射分布函数建模方法结果的可靠性。最后与绿漆涂层铁板目标的模型反演参数进行比较得出:2种不同材质、相同颜色涂层的目标,具有较为接近的折射率,其较小差别可以理解为由涂层的厚度、均匀程度的不同导致,而非不同的材质所引起。  相似文献   
2.
彩绘文物是文化遗产研究的重要内容之一。目前,许多的化学、光谱以及数字成像等分析技术应用于彩绘文物研究中,其中,高光谱成像技术集光谱分析与成像技术为一体,具有无损、快速成像以及"图谱合一"的特点。其技术特点使得高光谱成像技术在非接触、无样本的条件下对彩绘文物进行无损研究,既可以获得彩绘文物的整体形貌特征,还可以深入分析彩绘文物的光谱特征,是高光谱成像技术相比于其他彩绘文物研究方法的独特优势。利用高光谱成像技术研究彩绘文物分为数据采集、数据分析以及数据应用三步,其中数据分析与数据应用是研究的主要内容。通过对高光谱成像技术在彩绘文物中的相关研究成果进行总结归纳,其数据处理方法主要包括高光谱数据降维、光谱特征参量化、光谱解混合以及分类方法四个方面,并分别描述了四类处理方法的主要功能、常用方法和已有案例。从具体应用方向上,可归纳为视觉增强、隐含信息挖掘、保护监测和颜料分析四类,具体描述了四类应用方向所涵盖的内容以及所解决的问题。最后对相关研究中存在的挑战和发展前景进行了总结和展望。  相似文献   
3.
The degradation of cultural heritage objects by insects and microorganisms is an important issue for conservators, art specialists and humankind in general. Gamma irradiation is an efficient method of polychrome wooden artifacts disinfestation. Color changes and other modifications in the physical chemical properties of materials induced by gamma irradiation are feared by cultural heritage responsible committees and they have to be evaluated objectively and precisely. In this paper FTIR and FT-Raman spectroscopy methods were used to investigate the structural changes in some experimental models of tempera paint layers on wood following 11 kGy gamma irradiation at two dose rates. Radiation chemistry depends on the particular pigment, matrix formed by protein, resin (in case of varnished samples) and water presence. For the majority of painted layer in experimental models very small spectral variations were observed. Small changes in the FTIR spectra were observed for the raw sienna experimental model: for the higher dose rate the egg yolk protein oxidation peaks and the CH stretching bands due to lipids degradation products increased.  相似文献   
4.
Abstract

Pottery sherds from the archaeological site of Bancun (Henan, China) were analyzed by Raman microscopy and the pigments used in the coating of this ancient (c. 4000–5000 BC) pottery were determined. It was found that bauxite was used to make the white pigment. The black coating was identified as a magnetite and its particle size was in the nanometer range. This work also showed that the size of pigment had influence on the color of the coating. In principle, Raman spectra could be used not only to identify the mineral source of the pigment but also to estimate the particle size of the pigments.  相似文献   
5.
The conservation of ceramics and glass involves the repair or the restoration of broken and fragmented artefacts with polymer adhesives and gap fillers. In the past, many different adhesives had been used. Re‐restoration is often required and the fast identification of adhesive residues on objects would be very useful to define the best of way to remove them, in particular to avoid the use of noxious chemicals. Sixteen pottery artefacts restored during the 19th and 20th centuries at the Musée National de Céramique in Sèvres have been analysed by non‐destructive Raman microspectroscopy. For comparison purposes, the artefacts were also sampled in order to acquire infrared (IR) absorption spectra in KBr pellets. Modern adhesives (methyl metacrylate/acrylate, vinyl acetate, polychloroprene, methyl 2‐cyanoacrylate and diglycidylether biphenol) were also characterised with the same methods. IR and Raman spectra were obtained for all ancient glue residues, but among the 16 analysed items, only 7 adhesives have been identified unambiguously, and an assignment proposed for 4 others solely on the basis of the Raman signature. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   
6.
Summary Ancient ceramic samples (single fragments and different parts of pots, unbroken and repaired; total about 180 samples) dated from the transitional period of late Bronze to early Iron Age (VIII-VI centuries BC) and early Iron Age (VII-IV centuries BC) were investigated by thermal analysis, X-ray powder diffraction, petrography, and scanning electron microscopy equipped with the energy-dispersive X-ray analyzer. In addition to that, to identify the clay sources for the ceramic manufacturing, about 15 samples of clays and soils found near archeological digs and taken from the mineralogical museum were investigated. We found out that the calcite content of ceramics is a very informative parameter for the identification of the clay source for the pottery manufactured at low technological level (low-temperature firing).  相似文献   
7.
Chemical characterisation has been carried out on 58 fragments of archaeological pottery from pre-classical sites in Apulia and Lucania, regions in southern Italy. Fourteen elements were determined by atomic emission spectroscopy by using inductively coupled plasma source. Statistical techniques, such as principal component analysis and clustering analysis, have been utilised to define grouping of different pottery items. Tests performed showed that the analysed shards were differentiable mainly by age and provenance.  相似文献   
8.
利用拉曼光谱对洛阳地区两座北魏墓出土陶俑的彩绘颜料进行了分析, 与标准颜料样品的拉曼光谱相比较, 识别出了陶俑所使用的红色、黑色、白色和蓝色颜料的显色成分。研究结果表明, 显微拉曼光谱分析技术非常适合对古墓葬彩绘陶俑进行成分分析。  相似文献   
9.
Raman microspectroscopy has been employed for the characterization of 16 samples of ancient Iberian pottery. These sherds of vessels were found in the archaeological site of La Vispesa in Tamarite de Litera (Huesca, Spain) and correspond to the Iberian time. The composition of certain mineral phases such as non‐plastic inclusions has been particularly considered with a view to obtaining information on the source materials and their provenance, as well as the technological conditions of ceramic production. Typical minerals such as calcite and quartz were found in most of the samples. The presence of anatase in a group of the samples suggested the use of different clays in the production of the vessels. Furthermore, the absence of rutile in these samples, together with the identification of calcite, is indicative of a mild firing temperature. Hematite was identified in all samples, both in the ceramic body and in the decoration. Differences in the position of the bands and relative intensities characterized hematite in terms of crystallinity and origin. An attempt to assign the samples to different production centers was made according to their chemical composition and morphology. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   
10.
Painted Canosa ceramics were examined to identify the nature of the pigments employed and their manufacturing technology. A multi‐technique approach was used, comprising Raman microspectroscopy and laser ablation hyphenated to inductively coupled plasma‐mass spectrometry (LA‐ICP‐MS). The analysed samples were mainly produced for burial in tombs and were not intended for everyday use. They belong to the period between the end of the mid‐7th century and the first half of the 4th century BC, and were excavated from the Toppicelli archaeological district near the suburbs of Canosa (Puglia, Italy). Forty‐eight pottery fragments were available for this study. No handling of the samples was required for the Raman study, and it was possible to excise the pigmented layer in such a way that the lacunae were not distinguishable to the naked eye due to the micrometric size of the laser spot as far as LA‐ICP‐MS is concerned. Their combination turned out to be quite useful for the investigation of these archaeological materials: the chemical nature of the white, red, brown and black pigments employed in the pottery manufacture was investigated. Iron and manganese compounds were identified as the red and brown/black main colouring substances, respectively; on the other hand, whites and engobes (whitish slips) were based on kaolinite. This set of colouring substances is of importance, as it enabled the artisan to obtain in one oxidising firing cycle brown, black and red paints. Finally, the finding of manganese black in these Canosa potsherds confirms that Canosa was an important centre connecting the near East to central Italy and Europe since the pre‐Roman age. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号